The Heide Scar Tree, known as Yingabeal, or songtre (Yinga meaning sing or song and beal is an Indigenous name for a redgum) (Grace et al., 2016), represents an important link to Aboriginal cultural practices significant to the original inhabitants of the site, the Wurundjeri and Woiwurrung people, for whom this particular tree was a sacred ceremonial ground (Heide Museum of Modern Art, n.d.). It is considered the spiritual heart of the museum and the museum grounds, and is protected under the state legislation Aboriginal Heritage Act 2006 (Grace et al., 2016).
Aboriginal people created scarred trees by removing bark from them to make containers, shields, canoes, and to build temporary shelters (Creative Spirits, 2016). They would use axes with which they would mark the outline of the space they were after. The bark was then removed to the hardwood but the tree would not suffer because it was not ring-barked. Once the bark was removed it would start to regrow, crowing around the scar as it pushed towards its centre; eventually, the scar would heal. The original scar of Yingabeal was about three metres long and the bark removed would have made a three-metre canoe (Grace et al., 2016).
Scarred trees often occur along major rivers, around lakes and on flood plains, but also at significant (sacred sites) (Creative Spirits, 2016). They provide valuable clues about the use of perishable materials by Aboriginal people and also tell us where Aboriginal people lived; they also help us find archaeological sites, such as scatters of stone tools. Aboriginal ceremonies that took place around Yinglabeal reportedly go back to the mid 1800’s (Heide Museum of Modern Art, n.d.).
The Heide scar tree is approximately 600-700 years old (Grace et al., 2016) and is of particular significance to the Wurundjeri clan and Woiwurrung language group people (Heide Museum of Modern Art, n.d.). Apart from having had a canoe carved out of it at some stage, perhaps a few hundred years ago, it also fulfills the role of what is known as a ‘marker tree’, and is one of three such marker trees in the area (Grace et al., 2016).